LabelRadar Anmeldelser 

I've never seen a platform that makes it simpler for artists to submit directly to labels and get their music heard.

This platform is to help you learn the industry, get critical feedback and build your skills. This is not a one stop shop to because discovered and famous. I know many people will get disappointed that they dont get favorable responses from their favorite labels, but that is the name of the game. Use this platform to build your skills and grow as an artist, producer, etc... Label radar is a great platform and has definitely help me improve as an artist. I did not get discovered or signed from any label on label rader, but I have won a few contests which helped give me the feedback on the direction I am headed with my music production and composing skills.

LabelRadar is an incredible platform for discovering new labels + getting your music out there. I've struggled with finding labels who might find my music interesting, and LabelRadar has been an absolute gamechanger. The team are constantly improving and iterating on the platform, and it just gets better and better. Couldn't recommend LabelRadar enough.

LabelRadar has been exactly what the industry has needed for decades. Easy label contact, as well as a great hub for remix contests and the like. Had nothing but great experiences, a real shame to see negative reviews on here from people whose music hasn't been signed - an issue between them and the labels, not LR themselves (don't shoot the messenger?)

I have had a pro subscription for years. Nothing has happened except FR Music giving me a contract to have rights to all my music and alter the artist's name with the so-called record label, Mojoheadz, wanting to charge me for a release to master when my music is already mastered, and the label, Sick Dance, showing me the same contract to sign with them. FR is based in the Ukraine. How do you trust a label that is out of the Ukraine that is at war? LabelRadar is a con job, as folks can see from all these negative reviews.

I'm going to be honest, it's been utterly disappointing.
Been with them for some years now. There have been multiple problems. My collaborator just couldn't get the PRO membership package working properly, and he gave up. I also had some issues with credits not working properly. Also, the website was horrendously buggy, and is still not quite right. I advised several times of an ongoing bug, and they just let it slide for well over a year, nobody cared. The worst part, however, are the interactions I have had with some of the so-called labels on this site. Yes, there are many fine, reputable, decently-run labels on this platform, but I have had 3 bites from what I can only describe as scammers. One lot had the temerity to try to sign me to a deal in which I would no longer own my artist name, would need to ask permission to record gigs featuring my own songs, and have to keep giving them all my recordings, forever. Plus labels that expect the artist to pay them for releasing the songs! That's not how it works! Sheesh. Doesn't look like LR is doing anything much to remove these dodgy companies. Now I'll sit back and watch them write their standard reply, about how it is sad I had a disappointing experience, how credits are refunded and blah blah blah. As opposed to doing anything practical....
UPDATE: Whilst it was pleasing to see LR reply, below, I am pretty surprised by their current actions. I was sent an email requesting my contact details, presumably to give to LR for further discussion, with a note that, should I fail to supply this, this review might be removed. They've got my email address, had it for quite a while now, but haven't contacted me one jot. So the repeated comments that they've "reached out" to me are not substantiated. I would assume that LR would like to know what bugs were present, which labels were offering unfair terms, etc.... but maybe not.
P.S. Isn't it remarkable how many glowing reviews have suddenly appeared on here, all saying the same sorts of vague things, all dated on or around January 19th! Hmmm.... Remarkable flurry of activity.

I released some tracks with the pro subscription for one month. Not big labels, but I was able to send even to big labels and got heard by some, not all. Quite good experience. I'm still in but with free subscription

I may or may not have uploaded songs that have been previously released by a label or similar label just to see if anyone is actually listening to the music. Short answer: no one is actually even listening to your music.

Really sad to see companies just set up to prey on musicians. This company is literally everything wrong with the industry.

Alors au début j'étais emballé, mais après des jours et avoir pris un abonnement et payer des crédits, qui d'accord sont pas cher mais vu le taux de réponse nécessite limite d'harceler les labels. L'option "envoyer à tous" n'a pas de sens vu que votre musique s'envoie à des label qui n'ont aucun rapport avec votre style de musique. Sauf que si vous sélectionnez les labels plus vous en prenez plus ça coûte des crédits ! La ou l'option "envois à tous" coûte 5 crédits l'autre option coûte plus de 25 crédit ! Pour 1 seule musique. Les jours passe et je suis vraiment étonné de voir que TOUT les labels ne sont absolument pas intéressé par ma musique, les réponses arrive très vite au point où je me demande si il y a vraiment une écoute derrière car soit ya personne et je suis le seul soit les réponses sont quasi automatiques 🤷‍♂️ Malgré tout un label ma contacté avec pas mal de fan donc plutôt content échange de mail, je remplis le formulair par mail etc...et après plus rien. Plus de réponse rien du tout malgré des relances aucune réponse, j'avais supprimer mon abonnement à Distrokid pour stopper la diffusion de mes musiques pour ce label bh ça n'a servit à rien. Je trouve ça bizarre qu'un label intéressé et si "emballé " au début fasse le mort. J'ai réussit à mes 17 ans à avoir un contrat avec le label de bob sinclar "YellowRecord" mais pas avec des labels inconnus aux bataillon ? Je trouve ça bizarre 🤷‍♂️ Je pense honnêtement de pas aller la bas le concept est cool mais c'est ub gouffre financier car même si vous avez un rejet le fait d'avoir de "l'attention" des label vous pousse toujours plus à utiliser des crédits pour enfin avoir une réponse positive. Distribué votre musique via distrokid.com et utilisé en complément songtradr.com qui est 1000 fois mieu noté que Labelradar.

Honestly really crappy. The few 'labels' or 'promoters' that do reply have like 50 subscribers on their channels. Some of the so called promoters seem to be kids with a YouTube account. They couldn't even get the links to my social media right... what kind of crap is this?

Be careful before you buy any credits from them! They take your money and are unable to even produce a simple receipt for the purchase. They refer to their payment provider and want me to chase a 3rd party now. All other online services would simply email a receipt upon purchase. Unacceptable.

I did sent six of my tracks to their labels,but even the most insignificant so called label wasn't interested to promote any of my track.🤣It takes ages for them to reply eventhough I paid for their opinion.The website is dull,honestly I regret every penny I left there.But you might be more lucky🤨